﻿{"id":41,"date":"2022-02-24T19:35:34","date_gmt":"2022-02-24T23:35:34","guid":{"rendered":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/ma-programme\/"},"modified":"2026-02-06T05:34:54","modified_gmt":"2026-02-06T09:34:54","slug":"ma-programme","status":"publish","type":"page","link":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/research\/student-research-topics\/ma-programme\/","title":{"rendered":"MA Programme"},"content":{"rendered":"<div class=\"container-fluid page-wrapper site-font\">\n<section>\n<div class=\"lc-block\">\n<div editable=\"rich\">\n<h1 class=\"page-header\">Graduate Student Research Topics &#8211; MA Cultural Studies (Graduates)   <\/h1>\n<\/div>\n<\/div>\n<div class=\"faculty-content-page\"><img decoding=\"async\" alt=\"seminars.jpg\" src=\"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-content\/uploads\/sites\/86\/Research\/seminars.jpg\" title=\"seminars.jpg\" \/><\/p>\n<p>\n2023 Courtney Walker &quot;4B or not 4B? Black Hair and Politics Among 6 Barbadian Youth&quot;<\/p>\n<p>2022&nbsp;Kimberly Cummins &quot;Balancing The Scales: Oistins, Barbados As A Case Study Of The Conflicting Aims And Outcomes Of Investments In Heritage&nbsp; &nbsp; &nbsp; Tourism And Destination Branding.&quot;<\/p>\n<p>2020&nbsp;Han Deng &quot;Confucianism and Chinese Cultural Diplomacy in the Contemporary Caribbean: The Case of Barbados&quot;<\/p>\n<p>2019 Heather Wiltshire &quot;Hauling In The Culture: The Craft of the Fish Net In Contemporary Barbados&rdquo;<\/p>\n<p>2018 Curtis Gibbons &quot;Come Celebrate Barbados : The Use of the Community Independence : A Case Study in (re)Affirming National Identity&rdquo;<\/p>\n<p>2017 Lana Evans &ldquo;Jesus, Reigning King of Culture: The Walkholy Kadooment Band in Barbados and Its Public Representation of Christianity&rdquo;<\/p>\n<p>2015 Deborah Bascombe &ldquo;Arts Education: A Developmental Framework for The Creative Intellect and Cultural Industries In Barbados&rdquo;<\/p>\n<p>2015 Raquel Foster &ldquo;Gendering Vincy Mas&rdquo; &ndash; Women in Public Performance in St. Vincent&rdquo;<\/p>\n<p>2015 Ireka Jelani &ldquo;Sacred Performance Across Land and Water: The Evolution of Spiritual Baptist in the Anglophone Caribbean<\/p>\n<p>2015 Andrea Wells &ldquo;Caribbean Ideogram &ndash; Marking Time and Place:- The Use of Sacred Seals In The Spiritual Baptist Church of Barbados&rdquo;<\/p>\n<p>2015 Janice Whittle &ldquo;Madras In Dominica: A Symbol of Creole Identity&rdquo;<\/p>\n<p>2015 Halcyon Wiltshire &ldquo;All-Inclusive is Exclusive? An analysis of the All-Inclusive Mas in Port-of-Spain&rdquo;<\/p>\n<p>2014 Winston Kellman &ldquo;The Influence of the Gothic Architectural Tradition In Barbados (1830 &ndash; 1890) The Church, Education and Cultural Identity&rdquo;<\/p>\n<p>2014 Vivian Waterman &ldquo;The Calypso Tent: Space for Growth and Cultural Development in Barbados&rdquo;<\/p>\n<p>2014 Ewan Atkinson &ldquo;Framing Mother Sally: Cross Dressing in Barbadian Masquerade, an Artist&rsquo;s Investigation&rdquo;<\/p>\n<p>2014 Corelieus Barrow &ldquo;Underneath Clothes and Behind Masks: Cultural and Visual Coding of Afro-Caribbean Masculinity in Contemporary Barbados&rdquo;<\/p>\n<p>2013 Katherine Murrell &ldquo;Sailing the Seas in the East an Examination of the Re-Launch of the B.L.S. Rodney<\/p>\n<p>2013 Javier Reid &ldquo;Mapping Sources to Policy: Sport Policy or Sport as a Policy Tool&rdquo;<\/p>\n<p>2013 Chauntel Thomas &ldquo;Material Culture: Craft &amp; Community Examining Handcrafted Jewellery as an aspect of Contemporary Barbadian Culture&rdquo;<\/p>\n<p>2012 Tanisha Cross &ldquo;Beyond Good Hair: Untangling the Socio-Politics of Race, Beauty and Identity in Barbados&rdquo;<\/p>\n<p>2012 Wycliffe Brathwaite &ldquo;The Evolution of New Caribbean Cultural Musical Identities: A Study of Jazz Festivals in the Eastern Caribbean&rdquo;<\/p>\n<p>2012 Kleon McPherson &ldquo;From Bad-John to Pan Player: The Evolution of Pan Player&rsquo;s Identity in Trinidad and Tobago from the late 1940&rsquo;s to Contemporary Time&rdquo;<\/p>\n<p>2011 Therese Hadchity &ldquo;Subtle Monuments&rdquo;<\/p>\n<p>2011 Carol Clarke &ldquo;African Studies in Barbadian Schools: Have We Abandoned Ship or We Staying On It?&rdquo;<\/p>\n<p>2011 Gail Pounder-Speede &ldquo;Nah!!! This is Not Art Installation Art Verses the Picturesque in Barbados&rdquo;<\/p>\n<p>2009 Natalie Atkins-Hinds &ldquo;Locating the Visual Arts in Barbados Society&rdquo;<\/p>\n<p>2009 Angela Trotman &ldquo;The Underlying Influences Determining the Barbadian Dress Style &ndash; Late 17th to early 20th Century&rdquo;<\/p>\n<p>2009 Stacey Cummins &ldquo;National Independence Celebrations: Interpretations of Nationalism in Barbados&rdquo;<\/p>\n<p>2008 Glynnis Brathwaite &ldquo;Caught in the Middle: The Games People Play, Kensington Oval and Power Plays&rdquo;<\/p>\n<p>2008 Christine Clarke &ldquo;What Lies Beneath? Bikini Mas&rsquo; and the Construction of Young Middle Class Female Identity in the Trinidad Carnival&rdquo;<\/p>\n<p>2008 Hazra Medica &ldquo;Show Me Yuh Voting Finger: The Impact of Calypso on Antiguan Election 2004&rdquo;<\/p>\n<p>2008 Grace Sealy &ldquo;Evolution of Oral Tradition in Barbados: Drivers of the Change&rdquo;<\/p>\n<p>2007 Kerri Howard &ldquo;Mannequins in Motions: Negotiating Identities both on and off Stage&rdquo;<\/p>\n<p>2007 Angela Skeete &ldquo;Carving Design in Space the Cultural Role of the Central Bank of Barbados&rdquo;<\/p>\n<p>2007 Vicki Warner &ldquo;Dub is De Force: Space , Subversion and Identity\/ies within the Barbadian Dub&rdquo;<\/p>\n<p>2007 Crystal Wiltshire &ldquo;Crafting a Heritage: The Culture of Dolls in Barbados&rdquo;<\/p>\n<p>2006 Anderson Bolden &ldquo;The Cultural Roles of Social Commentary in Barbadian Calypso: The Value of Archiving the Commentary in an Electronic Database&rdquo;<\/p>\n<p>2006 Patrick Knight &ldquo;Boys on the Block: Issues and Identity (IES) of the Ghetto Yute&rdquo;<\/p>\n<p>2006 Janice Perryman &ldquo;A Social and cultural History of Steel-pan in Barbados since 1945&rdquo;<\/p>\n<p>2006 Michelle Smith &ldquo;The Arts in Education as a means of Fostering Identity and Culture Awareness&rdquo;<br \/>\n&nbsp;<\/p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width:540px;\" width=\"540\">\n<tbody>\n\t<\/tbody>\n<\/table>\n<\/div>\n<\/section>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Graduate Student Research Topics &#8211; MA Cultural Studies (Graduates) 2023 Courtney Walker &quot;4B or not 4B? Black Hair and Politics Among 6 Barbadian Youth&quot; 2022&nbsp;Kimberly Cummins &quot;Balancing The Scales: Oistins, Barbados As A Case Study Of The Conflicting Aims And Outcomes Of Investments In Heritage&nbsp; &nbsp; &nbsp; Tourism And Destination Branding.&quot; 2020&nbsp;Han Deng &quot;Confucianism and [&hellip;]<\/p>\n","protected":false},"author":255,"featured_media":0,"parent":29,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"slim_seo":{"title":"MA Programme - Department of Cultural Studies - The University of the West Indies at Cave Hill","description":"Graduate Student Research Topics - MA Cultural Studies (Graduates) 2023 Courtney Walker &quot;4B or not 4B? Black Hair and Politics Among 6 Barbadian Youth&quot"},"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/users\/255"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":2,"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":266,"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/pages\/41\/revisions\/266"}],"up":[{"embeddable":true,"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/pages\/29"}],"wp:attachment":[{"href":"https:\/\/www.cavehill.uwi.edu\/fccpa-culturalstudies\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}